A deceptively simple set-up: the director and his father watch a 1988 football match which the father refereed, their commentary accompanying the original television images in real time. A Bucharest derby between the country’s leading teams, Dinamo and Steaua, taking place in heavy snow, one year before the revolution that toppled Ceaușescu.
A lyrical documentary that follows three adolescent brothers as they journey through one night in New Orleans, encountering a vibrant kaleidoscope of dancers, musicians, hustlers, and revelers parading through the lamplit streets. The filmmakers fully immerse us into the New Orleans night, passing through many lively and luminous locations and introducing us to the people who make the city their home.
Remembering a story his father told him when he was a child, of Perseus killing his grandfather by accident, William Kentridge reflects on the inescapability of one’s destiny. He explores the story of the Cumana Sibyl, who revealed people’s fate inscribed on leaves that fell from a tree.
William Kentridge recreates rehearsals for previous performance pieces. He reads a phonetic poem with performers Hamilton Dlamini, Mncedisi Shabangu, Nhlanhla Mahlangu and Mica Manganye. In contrast, they read John Chilembwe’s 1915 letter to the Nyasaland Times, arguing for equal standing in Malawi.
An unsentimental elegy to the American West, Sweetgrass follows the last modern-day cowboys to lead their flocks of sheep up into Montana's breathtaking and often dangerous Absaroka-Beartooth mountains for summer pasture, revealing a world in which nature and culture, animals and humans, vulnerability and violence are all intimately meshed.
Erasmo Chambi is a Bolivian immigrant who survives on the outskirts of Buenos Aires, giving wrestling shows at local clubs. In his home country, he was a legendary wrestler: there were trading cards, posters and action figures of his character, El Ciclón (The Cyclone), which today are only relics in a forgotten drawer. Nowadays he trains his son to be his successor.
In collaboration with Lomo, an Austrian camera company, and Mubi, a global film website, Weerasethakul was invited to make a work to launch the new LomoKino, a portable motion picture camera. Ashes juxtaposes the intimacy of his daily routine with the destruction of memories and his observations of the dark side of Thailand’s social realities.
For generations, all that distinguished Eagle Pass, TX, from Piedras Negras, MX, was the Rio Grande. But when darkness descends upon these harmonious border towns, a cowboy and lawman face a new reality that threatens their way of life.
William Kentridge explores the optimism of making things—how, even in dire circumstances, there will be people who play, create, and sing. He enlists a local brass band to lead a jolly procession out of the studio and into Johannesburg. But will Kentridge’s two split parts come to an agreement?
Small paper puppets and actors wearing masks endlessly dance in a fictional Soviet museum as William Kentridge documents the making of his 2022 installation Oh to Believe in Another World, made in response to Symphony No. 10 by the Russian composer Dmitri Shostakovich.
William Kentridge investigates how memory connects to place. Using two large blank sheets of paper, the artist draws a fictional colonial landscape, like those he remembers hanging in his childhood dining room. Meanwhile, his doppelgänger draws what he remembers actually seeing in Johannesburg.
William Kentridge explores the making of a self-portrait as a way of coming to know oneself. He also welcomes the dancer Dada Masilo into his studio. As Kentridge attempts to draw his own figure with a brush attached to the tip of a long stick, his double watches the imperfect outcome from afar.
Visual artist Alicia Nauta embarks on a new project, in which she is both the creator and the canvas. In her apartment-studio, the artist silently works away at her latest showstopping creation, from conceptualisation to public display.
Artist Becca Willow engages in a series of phone calls to two very different sets of clients. There are the lonely men who crave female companionship, and there are the elderly who require kindness and sometimes a nostalgic old song.
This series investigated the way that history and memory have been used by politicians and others.
On the border of Washington DC, two stories of big dreams take place – a family is determined to turn their 1000 pound pig into the Redskins’ football team mascot, and two teenage fathers scheme a better life for themselves and their children.
After initially sweeping through Asia, Korean pop music has now taken the world by storm led by the likes of SNSD, JYP and PSY. Take a look behind the scenes of the formation and debut of the 9 member girl group, Nine Muses, in a documentary that gives a glaring insight into the world of K-pop. Follow a year long journey with the Model Idols, as they have been called, and their management label, the relatively small in stature Star Empire, leading up to the group’s debut and emergence in the K-pop charts. Covering everything from dance lessons, recording sessions and the physical and psychological toll on the girls, the film reveals the lengths the girls must go to achieve their dream, to become K-Idols.
South African artist William Kentridge investigates life in the studio. He imagines his studio as an enlarged head, where multiple dialogues occur between the artist and himself. Kentridge begins interviewing his double. Soon, the whole studio is populated by Kentridge’s many selves.
Erwin Romulo, the late Alexis Tioseco’s best friend, recalls the events after the critic and his girlfriend Nika Bohinc’s untimely death in their home in Quezon City. Diaz makes use of one long take to allow Romulo an uninterrupted narration of the events. The pain of recalling is palpable.
In December 1969, legendary pianist and composer Thelonious Monk ended his European tour in Paris. Before the show, Monk appeared on French TV to perform and speak with French jazz pianist Henri Renaud. Newly discovered footage reveals the disconnect between Monk and his interviewer.
Parental aging and an existential wave collide in the suburbs of LA. Dislocated B-roll, meandering voicemails, and readings from the 1984 children’s sci-fi movie The Neverending Story combine to situate collective grief in the mundanities of everyday life.