Peter Tscherkassky condenses the long history of railways in the movies into a rousing blast for the senses in a heartfelt tribute to another legend of experimental cinema Kurt Kren.
A sublime work of trance-state cinema, the debut feature by the Mexican Ethiopian filmmaker Jessica Beshir is a hypnotic immersion in the world of rural Ethiopia, a place where one commodity—khat, a euphoria-inducing plant once prized for its supposedly mystical properties—holds sway over the rituals and rhythms of everyday life. As if under the intoxicating influence of the drug itself, FAYA DAYI unfurls as a hallucinogenic cinematic reverie, capturing hushed, intimate moments in the existences of everyone from the harvesters of the crop to people lost in its narcotic haze to a desperate but determined younger generation searching for an escape from the region’s political strife. The film’s exquisite monochrome cinematography—each frame a masterpiece sculpted from light and shadow—and time-bending, elliptical editing create a ravishing sensory experience that hovers between consciousness and dreaming.
During the 2020 lockdown, Lucrecia Martel returns to her home in Salta, Argentina’s most conservative region. Here she follows Julieta Laso who, like a muse, introduces her to a group of female artists and defiant people who exchange glances and opinions around a fire.
"A Cambodian Spring" is an intimate and unique portrait of three people caught up in the chaotic and often violent development that is shaping modern-day Cambodia. Shot over six years, the film charts the growing wave of land-rights protests that led to the 'Cambodian spring' and the tragic events that followed. This film is about the complexities - both political and personal, of fighting for what you believe in.
Jean grew up in a community under the influence of a guru named Chris. Years after escaping its grip, he receives a mysterious package. Chris has just died and Jean's sister who has lived all this time reclusive by his side sends him recordings. In these mysterious sound and visual archives, Jean rediscovers voices and sounds emerging from the past. On the tapes, interviews between members of his family and Chris. The memories start to come back : Jean decides to follow in the footsteps of the missing guru to try and decipher his family history.
Phases of Matter follows living and inanimate residents of a teaching hospital in Istanbul, moving from the operating room to the morgue, between life and other states, the real and the virtual.
A portrait of those trying to survive in the war-torn Middle East.
The true history of a collection of some 500 films dating from 1910s to 1920s, which were lost for over 50 years until being discovered buried in a sub-arctic swimming pool deep in the Yukon Territory, in Dawson City, located about 350 miles south of the Arctic Circle.
Simon Liu's eerie, entrancing portrait of contemporary Hong Kong tracks a series of strange disruptions to the city's urban infrastructure. Deceptively tranquil 16mm images of everyday life are accompanied by muffled music cues, ominous radio transmissions, and intimations of an impending hazardous event that may never arrive.
Eager in spirit for a better world, an amateur rock band from bohemian Istanbul embarks on an impromptu tour to mainland Turkey, in hopes of sharing their music and love with fellow countrymen.
Rome, 1968: at the pinnacle of his artistic career, Pino Pascali died in an accident. 50 years later the Pascali Museum in Apulia—where Pino was born—buys and exhibits one of his works. This is the story of a work of art returning to its origins told through Pino Musi and Pino Pascali’s photographs.
In their debut documentary Christine Molloy and Joe Lawlor take as their point of departure the compelling 18th Century figure, Ambrose O'Higgins, and attempt to retrace his remarkable journey from Ireland to Chile.
Like Don Quixote, Zivan Pujic Jimmy fights for his annual punk festival. A film about failure, ambition, friendship and clinging to your dreams. Glavonic received much praise for this exceptional film that doesn't reveal what's fact and what's fiction.
Artist and filmmaker Eric Baudelaire spent four years interacting with the pupils of a film class, at a secondary school in the Parisian suburb of Saint-Denis. Keeping himself on the sidelines, he gives way to the children to express their thoughts and dreams. Their remarks are intuitive, inquisitive, yet passionate and surprisingly mature, concerning rocky and complicated issues, ranging from racism, immigration, and identity, all the way to the possibilities of film as a medium. As time flows almost unnoticed, it is evident that these children have not only become the co-directors of this film but also the heroes of their own lives.
An intimate portrait of Yemen as the revolution unfolds, told through the eyes of tour guide leader Kais, an intelligent commentator on the changing times in Yemen, offering poignant moments of reflection, loss, anger and hope on the unknown road to revolution. Filmed over the course of the past year we see Kais's journey from pro-President to reluctant revolutionary, joining angry protesters in the increasingly bloody streets of Sana'a.
Produced out of Harvard's Sensory Ethnography Lab, Laura Huertas Millán's quietly masterful La Libertad follows a group of matriarchal weavers in Mexico, formally mimicking the examination of an object through subtle shifts in scale and space.
With Taiwan remaining in the grip of martial law in 1982, a group of filmmakers from that country set out to establish a cultural identity through cinema and to share it with the world. This engaging documentary looks at the movement's legacy.
The story of a friendship spanning generations and boundaries: a Hungarian soldier escapes to the West in the ’50s. The son of a U.S. soldier runs to the East in the ’90s. Their paths cross in Bogotá, Colombia, and they become friends by sharing memories of the same land but of very different times.
Fragment 53 is a feature-length documentary film on war considered in its necessary and universal dimension, faced both as an actual and archetypical event.
A story of globalization filtered through the fever dream of a Mexican shaman, The Modern Jungle is also an intimate portrait of Zoque culture, commodity fetish, and the predicament of documentary.
Switzerland still carries out special flights, where passengers, dressed in diapers and helmets, are chained to their seats for 40 hours at worst. They are accompanied by police officers and immigration officials. The passengers are flown to their native countries, where they haven't set foot in in up to twenty years, and where their lives might be in danger. Children, wives and work are left behind in Switzerland. Near Geneva, in Frambois prison, live 25 illegal immigrants waiting for deportation. They are offered an opportunity to say goodbye to their families and return to their native countries on a regular flight, escorted by plain-clothes police officers. If they refuse this offer, the special flight is arranged fast and unexpectedly. The stories behind the locked cells are truly heartbreaking.
Her ex-wife won’t meet her. Her daughter rejects her. Her mother still calls her “son.” As Marianna transitions from male to female, she is abandoned by her loved ones, alone in a world unwilling to accept her true self. This multi-award-winning documentary is an intensely sympathetic and powerful account of one individual’s struggle to gain acceptance—even in the midst of profound physical hardship.
Based on the remains of never-completed Argentine features from the archives of the film museum in Buenos Aires. The film is, as it were, a parallel film history: an essay like a cinematographic Frankenstein, that blows new life into images that once seemed unsuccessful and pointless.