8.2
Sundancessa palkittu dokumentti maalaa intiimin kuvan 80-luvun Harlemin drag queenien juhlista, joissa käydään kovaa kilpailua selviytymisestä.
8
Hatidze Muratova, sukunsa viimeinen villimehiläisten hoitaja saa elantonsa kerätystä hunajasta, jota hän myy pienissä erissä lähimmässä kaupungissa. Hatidzen rauhaisa elo mullistuu, kun paikalle saapuu maata kiertävä perhe äänekkäiden moottorien, seitsemän vallattoman lapsen ja karjalauman kanssa. Ei kuitenkaan kestä kauan, ennen kuin syntyy riita.
7.8
Dokumenttielokuva 85-vuotiaasta Jiro Onosta, joka omistaa kymmenpaikkaisen sushiravintolan eräällä tokiolaisella metroasemalla. Vaikka puitteet ovat vaatimattomat, Onon ravintolalla on kolme Michelin-tähteä ja asiakkaat saapuvat ympäri maailman – kerta toisensa jälkeen. Elokuvan keskiössä nähdään Onon vanhin poika Yoshikazu, jonka suhde isäänsä on monimutkainen.
7.9
An illustration of Nils Frahm’s lauded ability as a composer and passionate live artist as well as the enchanting atmosphere of his already legendary Funkhaus shows.
7.8
Timely, intimate, and deeply empathetic, OUR BODY observes the everyday operations of the gynecological ward in a public hospital in Paris. In the process, veteran documentarian Claire Simon questions what it means to live in a woman’s body, filming the diversity, singularity, and beauty of patients at all stages of life. We see cancer screenings and fertility appointments, a teenager dealing with an unwanted pregnancy, a trans woman considering the beginnings of menopause. The specific fears, desires, and struggles of these individuals illuminate the health challenges we all face—even, as it comes to pass, the filmmaker herself.
7.8
German musician Alexander Hacke explores Istanbul's rich music culture and attempts to create a portrait of Turkey through music genres. On this journey, he encounters a mosaic that covers countless genres from rock to arabesque, electronic to hip-hop.
7.7
Chris Marker, filmmaker, poet, novelist, photographer, editor, and now videographer and digital multimedia artist, has been challenging moviegoers, philosophers, and himself for years with his complex queries about time, memory, and the rapid advancement of life on this planet. SANS SOLEIL is his mind-bending free-form travelogue that journeys from Africa to Japan.
7.6
"A Cambodian Spring" is an intimate and unique portrait of three people caught up in the chaotic and often violent development that is shaping modern-day Cambodia. Shot over six years, the film charts the growing wave of land-rights protests that led to the 'Cambodian spring' and the tragic events that followed. This film is about the complexities - both political and personal, of fighting for what you believe in.
7.6
An intimate portrait of Yemen as the revolution unfolds, told through the eyes of tour guide leader Kais, an intelligent commentator on the changing times in Yemen, offering poignant moments of reflection, loss, anger and hope on the unknown road to revolution. Filmed over the course of the past year we see Kais's journey from pro-President to reluctant revolutionary, joining angry protesters in the increasingly bloody streets of Sana'a.
7.5
After documenting her pregnancy, director Eliza Capai talks with other women who have had similar experiences, creating a powerful and touching choir of voices that reverberates on universal themes: life, death, mourning and public policies that affect us all.
7.5
The true history of a collection of some 500 films dating from 1910s to 1920s, which were lost for over 50 years until being discovered buried in a sub-arctic swimming pool deep in the Yukon Territory, in Dawson City, located about 350 miles south of the Arctic Circle.
7.5
In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.
7.5
Few films can claim as much influence on the course of cinema history as CHRONICLE OF A SUMMER. The fascinating result of a collaboration between filmmaker-anthropologist Jean Rouch and sociologist Edgar Morin, this vanguard work of what Morin termed cinéma- vérité is a brilliantly conceived and realized sociopolitical diagnosis of the early sixties in France. Simply by interviewing a group of Paris residents in the summer of 1960—beginning with the provocative and eternal question “Are you happy?” and expanding to political issues, including the ongoing Algerian War—Rouch and Morin reveal the hopes and dreams of a wide array of people, from artists to factory workers, from an Italian émigré to an African student. CHRONICLE OF A SUMMER’s penetrative approach gives us a document of a time and place with extraordinary emotional depth.
7.4
Elizabeth Sankey’s deeply personal documentary examines the relationship between the cinematic portrayals of witches and the all-too-real experiences of postpartum depression by utilizing footage that spans the entirety of film history alongside heartrending personal testimony.
7.4
Soundtrack to War showcases spontaneous music performances by a striking cast of battle weary. Performances made without rehearsal, under the blaring Iraqi sun, with a destroyed city, the distraction of gunfire and bursting mortar shells forming a frightening backdrop. American culture came into Iraq, wired into its tanks and helicopters - a live soundtrack to war, with lyrics such as Let The Bodies Hit The Floor, Round Out, The Tank and Bombs over Baghdad, being memorised by every soldier and forever linked to the violent events they accompanied. As the war extended into a second year, many started writing and performing their own songs. It was rock, rap & roll.
7.4
In 1970, a British film crew set out to make a straightforward literary portrait of James Baldwin set in Paris, insisting on setting aside his political activism. Baldwin bristled at their questions, and the result is a fascinating, confrontational, often uncomfortable butting of heads between the filmmakers and their subject, in which the author visits the Bastille and other Parisian landmark and reflects on revolution, colonialism, and what it means to be a Black expatriate in Europe.
7.4
This early feature from Chris Marker is a key touchstone in the evolution of his distinctive essayistic style, in which he combines footage shot in the barren reaches of Siberia with his typically idiosyncratic musings. Animated mammoths, a humorous comparison of communist and capitalist values, and even a “commercial” for reindeer all feature in this alternately witty and philosophical travelogue that reveals as much about the history and culture of its subject as it does about the inner workings of its maker’s mind.
7.3
Like Don Quixote, Zivan Pujic Jimmy fights for his annual punk festival. A film about failure, ambition, friendship and clinging to your dreams. Glavonic received much praise for this exceptional film that doesn't reveal what's fact and what's fiction.
7.3
Switzerland still carries out special flights, where passengers, dressed in diapers and helmets, are chained to their seats for 40 hours at worst. They are accompanied by police officers and immigration officials. The passengers are flown to their native countries, where they haven't set foot in in up to twenty years, and where their lives might be in danger. Children, wives and work are left behind in Switzerland. Near Geneva, in Frambois prison, live 25 illegal immigrants waiting for deportation. They are offered an opportunity to say goodbye to their families and return to their native countries on a regular flight, escorted by plain-clothes police officers. If they refuse this offer, the special flight is arranged fast and unexpectedly. The stories behind the locked cells are truly heartbreaking.
7.2
With cameras in hand, directors Bill and Turner Ross return to their hometown of Sidney, Ohio—zip code 45365—for nine months. In this small town, the stories of a father and son, cops and criminals, officials and their electorate coalesce into a mosaic of faces, places, and events.
7.2
The personal stories of the people from all around the world waiting for a decision in an asylum-seekers centre in one of most restrictive countries in the world, Switzerland.
7.2
A documentary on the influential musician Scott Walker.
7.1
In their debut documentary Christine Molloy and Joe Lawlor take as their point of departure the compelling 18th Century figure, Ambrose O'Higgins, and attempt to retrace his remarkable journey from Ireland to Chile.
