6.9
Two unemployed friends have a fresh idea: they want to stage Shakespeare's 'Hamlet' in Grand Theft Auto. But even in a virtual world, reality intrudes in a wild and trippy film shot entirely inside the ultra-violent video game.
7.8
Dokumenttielokuva 85-vuotiaasta Jiro Onosta, joka omistaa kymmenpaikkaisen sushiravintolan eräällä tokiolaisella metroasemalla. Vaikka puitteet ovat vaatimattomat, Onon ravintolalla on kolme Michelin-tähteä ja asiakkaat saapuvat ympäri maailman – kerta toisensa jälkeen. Elokuvan keskiössä nähdään Onon vanhin poika Yoshikazu, jonka suhde isäänsä on monimutkainen.
8
Hatidze Muratova, sukunsa viimeinen villimehiläisten hoitaja saa elantonsa kerätystä hunajasta, jota hän myy pienissä erissä lähimmässä kaupungissa. Hatidzen rauhaisa elo mullistuu, kun paikalle saapuu maata kiertävä perhe äänekkäiden moottorien, seitsemän vallattoman lapsen ja karjalauman kanssa. Ei kuitenkaan kestä kauan, ennen kuin syntyy riita.
8.2
Sundancessa palkittu dokumentti maalaa intiimin kuvan 80-luvun Harlemin drag queenien juhlista, joissa käydään kovaa kilpailua selviytymisestä.
7.4
Elizabeth Sankey’s deeply personal documentary examines the relationship between the cinematic portrayals of witches and the all-too-real experiences of postpartum depression by utilizing footage that spans the entirety of film history alongside heartrending personal testimony.
7.7
Chris Marker, filmmaker, poet, novelist, photographer, editor, and now videographer and digital multimedia artist, has been challenging moviegoers, philosophers, and himself for years with his complex queries about time, memory, and the rapid advancement of life on this planet. SANS SOLEIL is his mind-bending free-form travelogue that journeys from Africa to Japan.
7.8
Timely, intimate, and deeply empathetic, OUR BODY observes the everyday operations of the gynecological ward in a public hospital in Paris. In the process, veteran documentarian Claire Simon questions what it means to live in a woman’s body, filming the diversity, singularity, and beauty of patients at all stages of life. We see cancer screenings and fertility appointments, a teenager dealing with an unwanted pregnancy, a trans woman considering the beginnings of menopause. The specific fears, desires, and struggles of these individuals illuminate the health challenges we all face—even, as it comes to pass, the filmmaker herself.
7.5
After documenting her pregnancy, director Eliza Capai talks with other women who have had similar experiences, creating a powerful and touching choir of voices that reverberates on universal themes: life, death, mourning and public policies that affect us all.
6.4
If history is written by the victors, where does that leave those who were never allowed to be part of the game? A collective of queer athletes enters the Olympic Stadium in Athens and sets out to honour those who were excluded from standing on the winners’ podium. They meet Amanda Reiter, a trans* marathon runner who has to struggle with the prejudices of sports organisers, and Annet Negesa, a 800m runner who was urged by the international sports federations to undergo hormone-altering surgery. Together they create a radical poetic utopia far from the rigid gender rules found in competitive sports.
6.9
Staged as a series of voiceover sessions, written with gloriously off-balanced precision and dipped in the color green, THE FUTURE TENSE unfolds as a poignant tale of tales, exploring the filmmakers’ own experiences in aging, parenting, mental illness, along with the brutal history that lies submerged beneath Ireland’s heavy, moist earth.
6
Driving around the streets of Cuba, Lav Diaz – the famous Filipino director – and Gustavo Flecha - a talkative Cuban taxi driver – find themselves discussing about politics, migration, social conditions and love; touching many personal stories and experiences, they create an historical affresco of the conditions of their own countries.
6.9
Peter Tscherkassky condenses the long history of railways in the movies into a rousing blast for the senses in a heartfelt tribute to another legend of experimental cinema Kurt Kren.
6.1
During the 2020 lockdown, Lucrecia Martel returns to her home in Salta, Argentina’s most conservative region. Here she follows Julieta Laso who, like a muse, introduces her to a group of female artists and defiant people who exchange glances and opinions around a fire.
7.6
"A Cambodian Spring" is an intimate and unique portrait of three people caught up in the chaotic and often violent development that is shaping modern-day Cambodia. Shot over six years, the film charts the growing wave of land-rights protests that led to the 'Cambodian spring' and the tragic events that followed. This film is about the complexities - both political and personal, of fighting for what you believe in.
6.1
Jean grew up in a community under the influence of a guru named Chris. Years after escaping its grip, he receives a mysterious package. Chris has just died and Jean's sister who has lived all this time reclusive by his side sends him recordings. In these mysterious sound and visual archives, Jean rediscovers voices and sounds emerging from the past. On the tapes, interviews between members of his family and Chris. The memories start to come back : Jean decides to follow in the footsteps of the missing guru to try and decipher his family history.
6.5
Phases of Matter follows living and inanimate residents of a teaching hospital in Istanbul, moving from the operating room to the morgue, between life and other states, the real and the virtual.
7.5
The true history of a collection of some 500 films dating from 1910s to 1920s, which were lost for over 50 years until being discovered buried in a sub-arctic swimming pool deep in the Yukon Territory, in Dawson City, located about 350 miles south of the Arctic Circle.
6.2
Simon Liu's eerie, entrancing portrait of contemporary Hong Kong tracks a series of strange disruptions to the city's urban infrastructure. Deceptively tranquil 16mm images of everyday life are accompanied by muffled music cues, ominous radio transmissions, and intimations of an impending hazardous event that may never arrive.
6.9
Poetry, literature, painting and old film clips converge in this lyrical, unusually designed film essay about Le Moulin, the Taiwanese poets’ collective which protested in the 1930s against the cultural superiority of the Japanese occupier and the domination of realism in poetry.
6.5
The film confronts two different views of the execution of General Ion Antonescu, Romania's leader during the Second World War.
6.2
Eager in spirit for a better world, an amateur rock band from bohemian Istanbul embarks on an impromptu tour to mainland Turkey, in hopes of sharing their music and love with fellow countrymen.
5.8
Rome, 1968: at the pinnacle of his artistic career, Pino Pascali died in an accident. 50 years later the Pascali Museum in Apulia—where Pino was born—buys and exhibits one of his works. This is the story of a work of art returning to its origins told through Pino Musi and Pino Pascali’s photographs.
