7.8
Dette er historien om den 85-årige Jiro Ono, verdens største Sushi-kok. Han ejer Sukiyabashi Jiro, en restaurant med én ret og 10 sæder i en undergrundsstation i Tokyo, som har fået 3 Michelin-stjerner, og har en venteliste på flere måneder. Men det er også historien om hans forhold til hans søn og arving Yoshikazu.
8.2
Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City’s African American and Latinx Harlem drag-ball scene. Made over seven years, PARIS IS BURNING offers an intimate portrait of rival fashion “houses,” from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia, transphobia, racism, AIDS, and poverty. Featuring legendary voguers, drag queens, and trans women—including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza—PARIS IS BURNING brings it, celebrating the joy of movement, the force of eloquence, and the draw of community.
8
Filmen foregår i Makedonien og handler om Hatidze, som hver dag spadserer op ad bjergsiden for at se til sine bistader. I stille sang tømmer hun forsigtigt staderne for honning uden brug af hverken net eller handsker. Tilbage i sit lille hus plejer hun sin gamle sengeliggende mor og fra tid til anden tager hun den længere tur ind til storbyen for at sælge sine varer. En dag flytter en nomadefamilie ind ved siden af og Hatidzes fredfyldte paradis forstyrres af larmende maskiner, syv støjende børn og 150 køer. Alligevel byder hun den tilkomne familie velkommen og deler gavmildt ud af sine hemmeligheder om bierne. Men inden længe tager den nye families overhoved en beslutning, der kommer til at forandre Hatidzes liv for evigt.
7.8
Timely, intimate, and deeply empathetic, OUR BODY observes the everyday operations of the gynecological ward in a public hospital in Paris. In the process, veteran documentarian Claire Simon questions what it means to live in a woman’s body, filming the diversity, singularity, and beauty of patients at all stages of life. We see cancer screenings and fertility appointments, a teenager dealing with an unwanted pregnancy, a trans woman considering the beginnings of menopause. The specific fears, desires, and struggles of these individuals illuminate the health challenges we all face—even, as it comes to pass, the filmmaker herself.
7.8
Forførende, frygtløs og provokerende. Marina Abramovic har omdefineret hvad kunst er i næsten 40 år. Ved at bruge sin krop som værktøj, har hun skubbet til sine egne og publikums grænser – og til tider risikeret sit liv i processen. I THE ARTIST IS PRESENT følger vi kunstneren på nært hold, imens hun forbereder sig til en performance, mange kunstkritikere vurderer til at blive den vigtigste milepæl i hendes karriere – en ny stor retrospektiv udstilling af hendes arbejde på The Museum of Modern Art i New Work. Men For Marina, er der langt mere på spil. Det er ikke bare en mulighed for at presse grænserne for performancekunst til det yderste, men også en enestående chance for én gang for alle at svare på kritikernes evindelige spørgsmål: “Hvorfor er det kunst”?
7.8
Brother Number One is a New Zealand documentary on the torture and murder of New Zealand yachtie Kerry Hamill by the Khmer Rouge in 1978. It follows the journey of Kerry's younger brother, Rob Hamill, an Olympic and Trans-Atlantic champion rower, who travels to Cambodia to retrace the steps taken by his brother and John Dewhirst, speaking to eyewitnesses, perpetrators and survivors.
7.8
German musician Alexander Hacke explores Istanbul's rich music culture and attempts to create a portrait of Turkey through music genres. On this journey, he encounters a mosaic that covers countless genres from rock to arabesque, electronic to hip-hop.
7.7
Chris Marker, filmmaker, poet, novelist, photographer, editor, and now videographer and digital multimedia artist, has been challenging moviegoers, philosophers, and himself for years with his complex queries about time, memory, and the rapid advancement of life on this planet. SANS SOLEIL is his mind-bending free-form travelogue that journeys from Africa to Japan.
7.6
"A Cambodian Spring" is an intimate and unique portrait of three people caught up in the chaotic and often violent development that is shaping modern-day Cambodia. Shot over six years, the film charts the growing wave of land-rights protests that led to the 'Cambodian spring' and the tragic events that followed. This film is about the complexities - both political and personal, of fighting for what you believe in.
7.6
An intimate portrait of Yemen as the revolution unfolds, told through the eyes of tour guide leader Kais, an intelligent commentator on the changing times in Yemen, offering poignant moments of reflection, loss, anger and hope on the unknown road to revolution. Filmed over the course of the past year we see Kais's journey from pro-President to reluctant revolutionary, joining angry protesters in the increasingly bloody streets of Sana'a.
7.5
After documenting her pregnancy, director Eliza Capai talks with other women who have had similar experiences, creating a powerful and touching choir of voices that reverberates on universal themes: life, death, mourning and public policies that affect us all.
7.5
The true history of a collection of some 500 films dating from 1910s to 1920s, which were lost for over 50 years until being discovered buried in a sub-arctic swimming pool deep in the Yukon Territory, in Dawson City, located about 350 miles south of the Arctic Circle.
7.5
Few films can claim as much influence on the course of cinema history as CHRONICLE OF A SUMMER. The fascinating result of a collaboration between filmmaker-anthropologist Jean Rouch and sociologist Edgar Morin, this vanguard work of what Morin termed cinéma- vérité is a brilliantly conceived and realized sociopolitical diagnosis of the early sixties in France. Simply by interviewing a group of Paris residents in the summer of 1960—beginning with the provocative and eternal question “Are you happy?” and expanding to political issues, including the ongoing Algerian War—Rouch and Morin reveal the hopes and dreams of a wide array of people, from artists to factory workers, from an Italian émigré to an African student. CHRONICLE OF A SUMMER’s penetrative approach gives us a document of a time and place with extraordinary emotional depth.
7.5
In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.
7.4
Elizabeth Sankey’s deeply personal documentary examines the relationship between the cinematic portrayals of witches and the all-too-real experiences of postpartum depression by utilizing footage that spans the entirety of film history alongside heartrending personal testimony.
7.4
In 1970, a British film crew set out to make a straightforward literary portrait of James Baldwin set in Paris, insisting on setting aside his political activism. Baldwin bristled at their questions, and the result is a fascinating, confrontational, often uncomfortable butting of heads between the filmmakers and their subject, in which the author visits the Bastille and other Parisian landmark and reflects on revolution, colonialism, and what it means to be a Black expatriate in Europe.
7.4
This early feature from Chris Marker is a key touchstone in the evolution of his distinctive essayistic style, in which he combines footage shot in the barren reaches of Siberia with his typically idiosyncratic musings. Animated mammoths, a humorous comparison of communist and capitalist values, and even a “commercial” for reindeer all feature in this alternately witty and philosophical travelogue that reveals as much about the history and culture of its subject as it does about the inner workings of its maker’s mind.
7.3
Switzerland still carries out special flights, where passengers, dressed in diapers and helmets, are chained to their seats for 40 hours at worst. They are accompanied by police officers and immigration officials. The passengers are flown to their native countries, where they haven't set foot in in up to twenty years, and where their lives might be in danger. Children, wives and work are left behind in Switzerland. Near Geneva, in Frambois prison, live 25 illegal immigrants waiting for deportation. They are offered an opportunity to say goodbye to their families and return to their native countries on a regular flight, escorted by plain-clothes police officers. If they refuse this offer, the special flight is arranged fast and unexpectedly. The stories behind the locked cells are truly heartbreaking.
6.9
Two unemployed friends have a fresh idea: they want to stage Shakespeare's 'Hamlet' in Grand Theft Auto. But even in a virtual world, reality intrudes in a wild and trippy film shot entirely inside the ultra-violent video game.
7.2
With cameras in hand, directors Bill and Turner Ross return to their hometown of Sidney, Ohio—zip code 45365—for nine months. In this small town, the stories of a father and son, cops and criminals, officials and their electorate coalesce into a mosaic of faces, places, and events.
7.2
The personal stories of the people from all around the world waiting for a decision in an asylum-seekers centre in one of most restrictive countries in the world, Switzerland.
