6.5
André and Vera are a young entrepreneurial couple. They get the opportunity to pitch their female health app at a prestigious competition. Before going there, Vera tries hypnotherapy to quit smoking. From this point, her attitude changes and André starts to behave unexpectedly.
7.4
On behalf of a multinational company, a production assistant drives around the Romanian city of Bucharest, interviewing various citizens who have been injured due to work accidents to cast one of them in a “safety at work” video.
7.6
“We’ve met before, haven’t we?” A mesmerizing meditation on the mysterious nature of identity, LOST HIGHWAY, David Lynch’s seventh feature film, is one of the filmmaker’s most potent cinematic dreamscapes. Starring Patricia Arquette and Bill Pullman, the film expands the horizons of the medium, taking its audience on a journey through the unknown and the unknowable. As this postmodern noir detours into the realm of science fiction, it becomes apparent that the only certainty is uncertainty.
7.6
In rural Punjab, a schoolboy’s impotence leads to accusations of being gay, triggering relentless bullying. Amid this torment and dark family revelations, he battles inner demons that push him further on the edge. When pressured into an arranged marriage, he’s forced to make a heartbreaking choice.
7.1
When Isabelle and Theo invite Matthew to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and everything is possible.
7.3
David Lynch’s 1977 debut feature, ERASERHEAD, is both a lasting cult sensation and a work of extraordinary craft and beauty. With its mesmerizing black-and-white photography by Frederick Elmes and Herbert Cardwell, evocative sound design, and unforgettably enigmatic performance by Jack Nance, this visionary nocturnal odyssey continues to haunt American cinema like no other film.
8.1
Hong Kong, 1962: Chow Mo-wan (Tony Leung Chiu-wai) and Su Li-zhen (Maggie Cheung Man-yuk) move into neighboring apartments on the same day. Their encounters are formal and polite—until a discovery about their spouses creates an intimate bond between them. At once delicately mannered and visually extravagant, Wong Kar Wai’s IN THE MOOD FOR LOVE is a masterful evocation of romantic longing and fleeting moments. With its aching musical soundtrack and exquisitely abstract cinematography by Christopher Doyle and Mark Lee Ping-bin, this film has been a major stylistic influence on the past decade of cinema, and is a milestone in Wong’s redoubtable career.
7.5
Lost souls reach out for human connection amid a glimmering Hong Kong in Wong Kar Wai’s hallucinatory, neon-soaked nocturne. Originally conceived as a segment of CHUNGKING EXPRESS only to spin off on its own woozy axis, FALLEN ANGELS plays like the dark, moody flip side of its predecessor as it charts the subtly interlacing fates of a handful of urban loners, including a coolly detached hit man (Leon Lai Ming) looking to go straight; his business partner (Michelle Reis), who secretly yearns for him; and a mute delinquent (Takeshi Kaneshiro) who wreaks mischief by night. Swinging between hard-boiled noir and slapstick lunacy with giddy abandon, the film is both a dizzying, dazzling city symphony and a poignant meditation on love, loss, and longing in a metropolis that never sleeps.
8.1
New German Cinema pioneer Wim Wenders (WINGS OF DESIRE) brings his keen eye for landscape to the American Southwest in PARIS, TEXAS, a profoundly moving character study written by Pulitzer Prize-winning playwright Sam Shepard. PARIS, TEXAS follows the mysterious, nearly mute drifter Travis (a magnificent Harry Dean Stanton, whose face is a landscape all its own) as he tries to reconnect with his young son, living with his brother (Dean Stockwell) in Los Angeles, and his missing wife (Nastassja Kinski). From this simple setup, Wenders and Shepard produce a powerful statement on codes of masculinity and the myth of the American family, as well as an exquisite visual exploration of a vast, crumbling world of canyons and neon.
7.9
The whiplash, double-pronged CHUNGKING EXPRESS is one of the defining works of 1990s cinema and the film that made Wong Kar Wai an instant icon. Two heartsick Hong Kong cops (Takeshi Kaneshiro and Tony Leung Chiu Wai), both jilted by ex-lovers, cross paths at the Midnight Express take-out food stand, where the ethereal pixie waitress Faye (Faye Wong) works. Anything goes in Wong’s gloriously shot and utterly unexpected charmer, which cemented the sex appeal of its gorgeous stars and forever turned canned pineapple and the Mamas & the Papas’ “California Dreamin’” into tokens of romantic longing.
7.3
The puppy love of two teenagers is set against a backdrop of adults struggling with their own lives. As a couple in love, they don't care about anything but themselves and seem totally unaware about everything that surrounds them.
6.9
After an impulsive travel decision to visit friends, Freddie, 25, returns to South Korea for the first time, where she was born before being adopted and raised in France. Freddie suddenly finds herself embarking on an unexpected journey in a country she knows so little about, taking her life in new and unexpected directions.
7.9
WINGS OF DESIRE is one of cinema’s loveliest city symphonies. Bruno Ganz is Damiel, an angel perched atop buildings high over Berlin who can hear the thoughts—fears, hopes, dreams—of all the people living below. But when he falls in love with a beautiful trapeze artist, he is willing to give up his immortality and come back to earth to be with her. Made not long before the fall of the Berlin wall, this stunning tapestry of sounds and images, shot in black and white and color by the legendary Henri Alekan, is movie poetry. And it forever made the name Wim Wenders synonymous with film art.
7.5
Ninety minutes of deleted and alternate takes from Twin Peaks: Fire Walk With Me, assembled by David Lynch to continue the story of the final week of Laura Palmer’s life.
8
Mike Leigh’s Palme d’Or–winning masterpiece charts the shockwaves that ripple through an already-fractured London family when Hortense (Marianne Jean-Baptiste), a successful, adopted black optometrist, makes contact with Cynthia (Brenda Blethyn, winner of the best actress prize at Cannes), her desperately dysfunctional white birth mother, who is woefully unprepared to deal with the situation. With unexpected humor and gripping emotional realism, Leigh crafts an intricate, richly human exploration of the buried tensions and heartaches that run beneath the surface of family life.
7.3
In the town of Twin Peaks, everybody has their secrets, but no one more than Laura Palmer. In this prequel to his groundbreaking 1990s television series, David Lynch resurrects the teenager found wrapped in plastic at the beginning of the show, following her through the last week of her life and teasing out the enigmas that surround her murder. Homecoming queen by day and drug-addicted thrill seeker by night, Laura leads a double life that pulls her deeper and deeper into horror as she pieces together the identity of the assailant who has been terrorizing her for years. Nightmarish in its vision of an innocent torn apart by unfathomable forces, TWIN PEAKS: FIRE WALK WITH ME is nevertheless one of Lynch's most humane films, aching with compassion for its tortured heroine, a character as enthralling in life as she was in death.
7.4
Before he became a sensation with the twisty revenge story MEMENTO, Christopher Nolan fashioned this low-budget, 16 mm black-and-white neonoir with comparable precision and cunning. Providing irrefutable evidence of Nolan’s directorial bravura, FOLLOWING is the fragmented tale of an unemployed young writer who trails strangers through London, hoping that they will provide inspiration for his first novel. He gets more than he bargained for when one of his unwitting subjects leads him down a dark criminal path. With gritty aesthetics and a made-on-the-fly vibe (many shots were simply stolen on the streets, unbeknownst to passersby), FOLLOWING is a mind-bending psychological journey that shows the remarkable beginnings of one of today’s most acclaimed filmmakers.
7.7
Nothing else has ever looked or felt like director René Laloux's animated marvel FANTASTIC PLANET, a politically minded and visually inventive work of science fiction. The film is set on a distant planet called Ygam, where enslaved humans (Oms) are the playthings of giant blue native inhabitants (Draags). After Terr, kept as a pet since infancy, escapes from his gigantic child captor, he is swept up by a band of radical fellow Oms who are resisting the Draags' oppression and violence. With its eerie, coolly surreal cutout animation by Roland Topor; brilliant psychedelic jazz score by Alain Goraguer; and wondrous creatures and landscapes, this Cannes-awarded 1973 counterculture classic is a perennially compelling statement against conformity and violence.
7.2
In this warmhearted comic yarn from Aki Kaurismäki, fate throws the young African refugee Idrissa (Blondin Miguel) into the path of Marcel Marx (André Wilms), a kindly old bohemian who shines shoes for a living in the French harbor city Le Havre. With inborn optimism and the support of his tight-knit community, Marcel stands up to the officials doggedly pursuing the boy for deportation. A political fairy tale that exists somewhere between the reality of contemporary France and the classic French cinema of the past, LE HAVRE is a charming, deadpan delight and one of the Finnish director’s finest films.
