A scientist in a surrealist society kidnaps children to steal their dreams, hoping that they slow his aging process.
Gilbert Grape is a small-town young man with a lot of responsibility. Chief among his concerns are his mother, who is so overweight that she can't leave the house, and his mentally impaired younger brother, Arnie, who has a knack for finding trouble. Settled into a job at a grocery store and an ongoing affair with local woman Betty Carver, Gilbert finally has his life shaken up by the free-spirited Becky.
Her name is Mina, but she is called Bambola (doll). Upon the death of her mother, she and her homosexual brother, Flavio, open a pizzeria. A man named Ugo loans Bambola the money, but is then killed in a fight with another one of her boyfriends, Settimio. While visiting Settimio in jail, she meets a sadistic man named Furio, and they begin a relationship.
Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story is initially met with skepticism, she agrees to accompany a team of Colonial Marines back to LV-426.
While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
In this fantastic voyage through time and space from Terry Gilliam, a boy named Kevin (Craig Warnock) escapes his gadget-obsessed parents to join a band of time-traveling dwarfs. Armed with a map stolen from the Supreme Being (Ralph Richardson), they plunder treasure from Napoleon (Ian Holm) and Agamemnon (Sean Connery)--but the Evil Genius (David Warner) is watching their every move. Featuring a darkly playful script by Gilliam and his Monty Python cohort Michael Palin (who also appears in the film), TIME BANDITS is at once a giddy fairy tale, a revisionist history lesson, and a satire of technology gone awry.
After a heartbreaking miscarriage, a couple adopts a stray male dog in hopes of saving their rocky marriage. But as the wife develops an obsessive bond with her new companion, it will trigger jealousies and rivalries that may lead to the most inconceivable act of all.
Hailed around the world as one of the greatest movies ever made, the Academy Award-winning BICYCLE THIEVES, directed by Vittorio De Sica, defined an era in cinema. In poverty-stricken postwar Rome, a man is on his first day of a new job that offers hope of salvation for his desperate family when his bicycle, which he needs for work, is stolen. With his young son in tow, he sets off to track down the thief. Simple in construction and profoundly rich in human insight, BICYCLE THIEVES embodies the greatest strengths of the Italian neorealist movement: emotional clarity, social rectitude, and brutal honesty.
William Franklin is a teacher who was born in Ireland and moved to the United States only to repatriate in 1939 after his leftist political views cause him to lose his job. Franklin becomes the first non-cleric instructor at St. Jude's, a school for wayward boys run by Brother John, who is a firm believer in strong discipline.
Fifteen-year-old Lulu has never known any affection from her family. But when she goes to a rock concert with Pablo, a friend of the family, he introduces Lulu to her first sexual experience. Years later, Pablo and Lulu have married; Pablo has created a sheltered, private world for Lulu, into which nothing intrudes. However, Lulu tires of her cloistered existence, and begins hanging out in shady bars, looking for vicarious thrills and danger.
Almería, Tabernas desert, Spain, 2002. Texas Hollywood is a dilapidated and dusty town where Western movies have not been shot for decades. Julián Torralba and his partners, veteran film stuntmen, survive there, recreating pathetic action scenes for the pleasure of the few foreign tourists who visit the isolated region.
The pleasures of sex and food entwine to outrageous effect in this wickedly seductive, darkly surreal romance. A teenage Penélope Cruz makes a memorable film debut as Silvia, a worker in a small-town underwear factory who strikes up a relationship with the boss’s son (Jordi Mollà)—much to the horror of his mother, Conchita (Stefania Sandrelli). Determined to break up the affair, Conchita enlists Raul (Javier Bardem), a studly pork-delivery man and wannabe bullfighter, to seduce Silvia—only to fall for the hunky ham guy herself.
A coffin-dragging gunslinger and a prostitute become embroiled in a bitter feud between a merciless masked clan and a band of Mexican revolutionaries.
Shot outside Pittsburgh on a shoestring budget, by a band of filmmakers determined to make their mark, Night of the Living Dead, directed by horror master George A. Romero, is a great story of independent cinema: a midnight hit turned box-office smash that became one of the most influential films of all time. A deceptively simple tale of a group of strangers trapped in a farmhouse who find themselves fending off a horde of recently dead, flesh-eating ghouls, Romero’s claustrophobic vision of a late-1960s America literally tearing itself apart rewrote the rules of the horror genre, combined gruesome gore with acute social commentary, and quietly broke ground by casting a black actor (Duane Jones) in its lead role. Stark, haunting, and more relevant than ever, Night of the Living Dead is back. Night of the Living Dead was restored by the Museum of Modern Art and The Film Foundation, with funding provided by the George Lucas Family Foundation and the Celeste Bartos Preservation Fund.
Banned in Spain and denounced by the Vatican, Luis Buñuel’s irreverent vision of life as a beggar’s banquet is regarded by many as his masterpiece. In it, novice nun Viridiana does her utmost to maintain her Catholic principles, but her lecherous uncle and a motley assemblage of paupers force her to confront the limits of her idealism. Winner of the Palme d’or at the 1961 Cannes Film Festival, VIRIDIANA is as audacious today as ever.
The simple story has the pair coming to the rescue of peace-loving Mormons when land-hungry Major Harriman sends his bullies to harass them into giving up their fertile valley. Trinity and Bambino manage to save the Mormons and send the bad guys packing with slapstick humor instead of excessive violence, saving the day.
The two brothers Trinity and Bambino are exchanged by two federal agents and take advantage of the situation to steal a huge booty hidden in a monastery by a gang of outlaws.
The teenage son of an architect falls for an older woman, an attractive housewife of his father's client.
Spanning several decades, this powerful biopic offers a glimpse into the life of famed Cuban poet and novelist Reinaldo Arenas, an artist who was vilified for his homosexuality in Fidel Castro's Cuba.
The ultimate cult British comedy, Bruce Robinson’s semi-autobiographical cinematic bender is a feast of delectably florid dialogue delivered with deadpan relish by stars Richard E. Grant and Paul McGann as, respectively, Withnail and “I,” a pair of perpetually soused, unemployed actors in 1960s London who, desperate to escape their nightmarishly grimy flat, embark on a hilariously misbegotten country getaway beset by menacing locals, bare cupboards, and a randy uncle—all of which they may be able to withstand as long as they don’t run out of alcohol. While Robinson’s dazzling script yields quotable moments galore, it’s the film’s bittersweet evocation of a friendship gradually unraveling that gives this beloved end-of-youth tale its lasting poignancy.
On the set of a playwright's new project, a love triangle forms between his wife, her ex-lover, and the call girl-turned-actress cast in the production.